The grade should
serve the story.

Not announce itself.

Remote color grading for film, commercial, and branded content.

Film character built from exposure discipline, not applied as a filter. Led by colorist Khalif Sultan in Brighton, working worldwide.

50+

COMMERCIAL CREDITS


25+

MUSIC VIDEOS


30+

SHORT & LONG FORM FILMS


Shell · Lotus · Volvo · Levi's
Samsung · Sony · Armani · UNICEF
The Royal Foundation · Malaysia Airlines

START A PROJECT

About the practice

The Palette is a remote color grading studio led by Khalif Sultan, working with directors, agencies, and production companies across film, commercial, and branded content.

The work is centred on professional look development: building a physical character from exposure, contrast, and color relationships rather than laying a look over the image at the end.

The global look is developed first and approved on a set of representative stills. Only then does shot-by-shot balancing begin. Creative direction is settled before the bulk of the work happens, so a finished pass is never discarded because the look was wrong.

The studio runs remote-first from Brighton, with calibrated monitoring, a color-managed pipeline, and a clear process from conform through to final delivery. Attended sessions are available by arrangement.

Work


A selection of commercial, narrative, and music video grades.

Services Preview

  • Color Grading

    Look development, primary grade, shot matching, continuity, and final review for commercial, narrative, episodic, and music video work.

  • Online and conform

    Timeline conform, high-resolution media relink, continuity checks, and final online preparation in DaVinci Resolve.

  • Deliverables and versioning

    Broadcast, digital, cinema, and platform-specific versions from the approved master.

What clients say

  • "Khalif has provided colour grading services to our company on various projects over a period of four years. He has consistently delivered high quality work, communicated clearly, and handled all technical and creative aspects of the colour workflow in a professional manner."

    Lee Jinq Rui

    Film Director & Executive Producer, Kampung Pictures

  • "He has always delivered our projects on time. Khalif understands both the technical demands of colour work and the creative intent behind a project — he brings that precision and care to everything he touches."

    Feisal Azizuddin

    Director, Feisk Sdn Bhd — Aku Lelaki, Terung, Tafakur, Undur

How it works

  • 01 Brief

    Send the project title, type, runtime, deadline, budget, and any references you already have. You do not need every technical detail to start.

  • 02 Scope & Estimate

    I review the project and come back within one business day with availability, questions, and a written estimate.

  • 03 Confirm

    The estimate confirms the scope, schedule, deliverables, and fees. A 20% deposit secures the dates.

  • 04 Develop the Look

    I build the global look and send representative stills for approval. Direction is agreed before full shot-by-shot grading begins.

  • 05 Grade and Deliver

    Review happens through Frame.io with two revision rounds included. Final masters are delivered after sign-off.

Ready to talk
about your project?

Projects are scoped individually. No commitment until you've seen a quote — send through the brief and current cut, and I'll come back within one business day.