Services

Color grading shaped around the story, with texture, density and a look of your own. The Palette works across film, commercial, music video and episodic projects, with conform and finishing scoped alongside the grade.

The creative direction is developed together and approved on representative stills before shot-by-shot grading begins.

Color grading

Commercial and branded

Campaigns, advertising and brand films shaped around the creative brief. A consistent grade brings the approved cut and its campaign versions together.

Consistent, natural skin tones across different lighting and complexions. Broadcast, digital and campaign deliverables are agreed in the project scope.

Short film

A narrative grade developed with the director or director of photography, balancing the visual character of the film with continuity from scene to scene.

Attention to shifts in mood, lighting and location helps each sequence belong to the same story.

Feature film

Long-form narrative grading with continuity across scenes and reels. Conform, review stages and final masters are planned around the film’s delivery requirements.

The scope defines the grading and finishing work, alongside any handovers to other post-production departments.

Television and episodic

A consistent visual identity across the series, with room for each episode’s locations, lighting and story.

Review and delivery can be planned in batches, with episode-specific versions agreed where required.

Music video

Color grading shaped around the artist, performance and visual direction, from restrained naturalism to a more expressive treatment.

Required versions and turnaround are agreed around the release schedule.

Social and short-form

A repeatable visual language across content for brands, creators and agencies. The grade keeps separate shoots and edits visually connected.

Batch grading, aspect ratios and platform versions are scoped around the content plan.

Conform & finishing

  • Online & conform

    Your locked edit is rebuilt from the source media and checked against the offline reference before grading begins. Missing media, timing differences and other conform issues are flagged before the creative work starts.

    Timeline preparation, relinking and online work are included where agreed in the scope.

  • Deliverables & versioning

    Final masters and additional versions are supplied to the agreed delivery specification. Export formats, resolution, aspect ratios and platform requirements are confirmed before work begins.

    Subtitle burn-in, alternate crops and additional masters can be included in the project scope.

  • Custom LUT creation

    Custom LUTs for on-set monitoring, dailies or a consistent brand look. Each is supplied with its intended camera or source conditions and viewing output documented, so it can be used as intended.

  • Attended sessions

    Remote attended sessions bring the director, agency or production team into the creative discussion and review.

    In-person attendance is available by arrangement. Session length, location, travel and fees are agreed in the estimate.

Scoping your project

Send the brief, current cut, deadline and required versions through the contact form. The Palette will review the creative and technical requirements, then provide a written estimate covering scope, grading days, deliverables, schedule, revision allowance and fees.

Pricing reflects runtime, source complexity, camera count, deliverables, turnaround and any conform or finishing work. Additional work is agreed before it begins.

Once scope, fee and dates are confirmed, you receive the booking form to complete the project details. The standard advance is 50% of the project fee before work starts. A lower advance may be negotiated, subject to a 20% minimum and written agreement. Final masters are released on delivery following sign-off, with the remaining balance invoice issued the same day and due 14 calendar days from the invoice date. Thirty-day terms apply only where agreed in writing before delivery.

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